Janine Rogers
Biography
I am the Head of Department, the Reverend William Purvis Chair of English Literature, and the Professor of Medieval and Sixteenth-Century Literature in the Department of English Literatures at 果冻传煤 University in Sackville, New Brunswick, Canada. I specialize in interdisciplinary approaches to literature and my current primary research area is in the field of literature and science. I am the author of two monographs: Eagle (Reaktion Press, 2015) and Unified Fields: Science and Literary Form (McGill-Queen's University Press, 2014). My current teaching activities include courses and supervisions in medieval literature, literature and collecting, literature and the environment, and science and literature; I was awarded the J. E. A. Crake Teaching Award in the Faculty of Arts in 2010. From 2010 to 2012 I was the Director of "CultureWorks," an interdisciplinary funding program at 果冻传煤 supported by the Social Sciences and Humanities Research Council (SSHRC). My current research includes a collaborative SSHRC-funded project (with Professor John Holmes, University of Birmingham), "Building the Book of Nature: The Poetics of the Natural History Museum," on the intellectual heritage of medieval manuscript culture in the history of science and natural history museums. I am also researching Chaucer's Treatise on the Astrolabe with Dr. Samuel Gessner of the University of Lisbon, focusing on text-instrument relations in the history and literature of science.
Publications
BOOKS
2015 Eagle . Reaktion Books Limited, London, UK. An interdisciplinary study of eagles in nature, art and culture. A volume in Reaktion's Animal Series. Release date: 15 July 2015.
2014 Unified Fields: Science and Literary Form . McGill-Queen's University Press. A peer-reviewed study of the relationship between scientific ideas and poetic and prose literary forms. Publication funded by the Aid to Scholarly Publishing Program (SSHRC).
SPECIAL JOURNAL ISSUE
2014 Editor, with Travis Mason (Dalhousie University) and Amanda Jernigan (McMaster University), of a special journal issue on "Canadian Literature and Science." Canadian Literature 221 (Summer), 2014.
PEER-REVIEWED ARTICLE AND BOOK CHAPTER PUBLICATIONS
2018 In Press. "Monkey Business: The Victorian Natural History Museum, Evolution, and the Medieval Manuscript." Co-authored with John Holmes (University of Birmingham, UK). Invited peer-reviewed article for special issue of Romanticism and Victorianism on the Net (open access), edited by Sophie Thomas.
2018 "Graffiti and the Medieval Margin." Invited book chapter for Scribbling Through History Graffiti, Places and People from Ancient Egypt to Modern Turkey , Eds. Elizabeth Frood, 脰mu虉r Harman艧ah, Chlo茅 Ragazzoli, and Chiara Salvador. Bloomsbury Press, Release date 30 January 2018.
2017 "Pluralized Humanities and Learning from the Past." Journal of Literature and Science 10.2, special issue: "Defining ScienceHumanities" (December 2017): 113-121 doi: 10.12929/jls.10.2.12.
2017 "Compiling Creation: Medieval Codicology and Images of Early Modern Museums and Collections." Visualizing the Text from Manuscript Culture to the Age of Caricature . Eds. Lauren Beck and Christina Ionescu. University of Delaware Press, 2017. 3-23.
2014 Interdisciplinary Science Reviews Volume 39 Issue 1 (March 2014):47-61. DOI:
2012 .鈥 co-authored with Charlotte Sleigh. The Review of English Studies 63.259 (2012): 293-310. doi: 10.1093/res/hgr106. Winner: Editors鈥 Selected Papers of RES for 2012. Published online November 2011:
2010 鈥淟ife Forms: Elizabeth Bishop鈥檚 鈥楽estina鈥 and DNA Structure.鈥 Mosaic 43.1 (March 2010): 93-109.
2009 鈥淏eauty Bare: The Sonnet Form, Geometry, and Aesthetics." Co-authored with Matthew Chiasson. The Journal of Literature and Science 2 (October 2009): 48-64.
2009 鈥淟over, Poet, Astronomer: Collecting Poems and Stars with David Levy.鈥 The Dalhousie Review 89.2 (Summer 2009): 155-168.
2009 鈥淪ecret Allies: Reconsidering Science and Gender in Cat鈥檚 Eye.鈥 English Studies in Canada 33.3 (September 2007, printed Spring 2009): 145-170.
2006 鈥淩iddling Erotic Identity in Early English Lyrics.鈥 鈥淎nd Never Know the Joy鈥: Sex and the Erotic in English Poetry. Ed. C.C. Barfoot. DQR Studies in Literature Series. Amsterdam: Ropodi Press, 2006. 1-12.
2004 鈥淕etting There is Half the Fun: Travel and Female Pleasure in English Erotica.鈥 The Dalhousie Review 84.3 (Fall 2004) Special Pleasure Issue: 349-370.
2003 鈥淢edieval Methods: Teaching Codicology at a Small, Manuscript-less University.鈥 The Proceedings of the Atlantic Universities鈥 Teaching Showcase, Volume VIII. Eds. Todd Pettigrew and Denise Nevo. Halifax, NS: Mount St. Vincent University, 2003. 31-38.
2003 鈥淪ex and Text: Teaching Porno-Erotic Literature to Undergraduates.鈥 Dalhousie Review 83.2 (Summer 2003): 189-214.
2002 鈥淐ourtesy Books, Comedy, and the Merchant Masculinity of Balliol College MS 354.鈥 Medieval Forum 1 (October 2002). .
INVITED ARTICLES, LITERARY ESSAYS, and OTHER WRITING
2014 Editorial: "A Daring and Beauty All its Own: Note on Canadian Literature and Science." Special journal issue on "Canadian Literature and Science." Canadian Literature 221 (Summer), 2014: 6-16.
2012 "Baby-Snatching Eagle Hoaxers Tapped into an Ancient Myth." The Globe and Mai l, Globe Life (Dec. 24, 2012): L7.
Published online 23 December 2012:
2011 "All that is Made: The Ova Aves Collection." Essay for The Ova Aves Project. QuArc: Special Joint Issue of The New Quarterly 119 and Arc Poetry Magazine 66, on Literature and Science (Summer 2011): TNQ 81-84.
2011 "An Egg is Miracle Enough." Interview of Gay Hansen for The Ova Aves Project. QuArc: Special Joint Issue of The New Quarterly 119 and Arc Poetry Magazine 66, on Literature and Science (Summer 2011): TNQ 96-98.
2011 "A Picture That Hummed Around My Head: 'Annie the Ant' and Interdisciplinary Child's Play." Introduction to "Annie the Ant" by Margaret Atwood. QuArc: Special Joint Issue of The New Quarterly 119 and Arc Poetry Magazine 66, on Literature and Science (Summer 2011): Arc 5-6.
Education
B.A. (McGill)
M.A. (McGill)
Ph.D. (McGill)
Teaching
English Courses Taught:
Critical Reading and Writing (first-year course) Literature
Science and Technology (first-year course)
Introduction to Poetry (first-year course)
Literary Periods to 1800 (second-year course)
Survey of Medieval English Literature: Anglo-Saxon and Middle English (third-year course)
Chaucer: The Canterbury Tales (third-year course)
Later Medieval Literature (third-year course)
Sixteenth Century Literature (third-year course)
Senior Seminars in Science and Literature (fourth-year course)
Research
Present Research and Teaching Areas:
Interdisciplinary Approaches to Literature, including: Science and Literature;
Medieval Literature, including Chaucer;
Early Renaissance Literature;
Codicology;
Canadian Literature;
Literature and museum studies;
Literature and material cultures of science;
Cultural Literacy (focus on museums).
Grants, awards & honours
2017 Social Sciences and Humanities Research Council (SSHRC), Aid to Small Universities Program: "MTA Connects" (for Connecting to Museums of Science). 果冻传煤 University.
2015-2018 Insight Development Grant, Social Sciences and Humanities Research Council (SSHRC), for "Building the Book of Nature: the Poetics of the Natural History Museum," with Professor John Holmes (University of Birmingham, UK).
2017 Paul Par茅 Medal for Reseach, 果冻传煤 University.
2015-2020 Reverend William Purvis Chair of English Literature
2015 Social Sciences and Humanities Research Council (SSHRC), Aid to Small Universities Program Grant: "MTA Connects" (for Exhibiting Nature: Science, Aesthetics, and the Museum").
2014 Paul Par茅 Excellence Award for Research.
2013 Publication Grant, Awards to Scholarly Publications Program, Federation for the Humanities and Social Sciences/Social Sciences and Humanities Research Council of Canada (SSHRC).
2013 Winner, with Charlotte Sleigh, of one of the Editors' Selected Papers for 2012, Review of English Studies (Oxford Journals), for "'Here is my Honey-Machine': Sylvia Plath and the Mereology of the Bee Hive."
Recipient of the 2010 J.E.A. Crake Teaching Award in the Faculty of Arts, 果冻传煤 University.